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KWR founder & director
Takaya's works has a significance way beyond its role as just art. It bridges the fields of traditional and contemporary Japanese art with western influences, communicating by questioning, making our everyday things become alive.
The impermanent beauty of a flower or Read more...
KWR founder & director
Takaya's works has a significance way beyond its role as just art. It bridges the fields of traditional and contemporary Japanese art with western influences, communicating by questioning, making our everyday things become alive.
The impermanent beauty of a flower or a tree leaf is often captured in his drawing. Salt is the principal element of purification and longevity for his work. It is not restrained by the boundaries of his canvas and goes beyond becoming sculpture - a life performance or video.
Born and bread in Kyoto, a city of Japanese traditions and culture heritage, Takaya studied at Kyoto City Fine Art University, where he obtained his postgraduate qualifications.
It was during his study times that he visited Europe for the first time, when he began to develop a strong interest in cross-cultural understanding through art.
After graduation, Takaya embarked on a series of trips outside Japan, with the aspiration to meet and share artistic knowledge with his counterparts. Since then, Takaya has built meaningful, long-lasting, friendships around the world, becoming not only the core of his art, but also his way of life.
Amongst many artistic achievements and awards, Takaya obtained a year Scholarship from the Japanese Agency of Cultural Affairs in 1995, to study at Dusseldorf Kunst Akademie, where he studied under Prof Konrad Klapheck's wing. His artistic achievements and his interest to learn art through other cultures convinced Prof Klapheck to invite Takaya as his guess student for another three years. It was then that Takaya developed the idea of creating an art centre in his hometown, Kyoto, as an international artist hub. In 1999, Kyoto-Weissraum was born as a non-profitable, art organization, aiming to build bridges between Japanese and International Artists and Art-Institutions. Since then, the art-center has worked in several exchange research programmes with international institutions and made its facilities accessible to local and international artists.
To learn about Takaya's present and past projects and artworks please go to:TAKAYA's WALKS
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Nov 7th, 2018 Just a few of Anemone Hupehensis still bloom.
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Nov 6th, 2018 Autumn yellow leaves, today.
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Nov 5th, 2018 Autumn color in my studio, today.
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Nov 4th, 2018 This little hollyhock flower is still blooming.
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Nov 3rd, 2018 It changes everyday.
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Nov 2nd, 2018 It is today in my studio.A big beautiful leaf.
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Nov 1st, 2018 Autumn leaves today in my studio.
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Oct 31st, 2018 Large fallen poplar branch.
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Oct 30th, 2018 Still these white flowers in the field.