special effects

we don't normally have loads of props and we don't normally have loads of special effects.

Ben who takes most stuff in his stride managed to find a programme that enabled him to project spinning newspapers and create this stunning backdrop

Later in the play we had another Ben special where Gruscha's travels are shown as a moving red line on a map.

These two effects contributed tremendously to the dated feel of the production that we were trying to create - we'd set it "somewhere" in Eastern Europe shortly after the war, complete with radio broadcasts and these visual effects