No Title

Markus Kahre at the Monro for Liverpool Biennial.

The rooms at the inn aren't what they seem and perhaps they aren't as hospitable as one would expect a lodging to be. The Monro dates back to 1756 and all manner of weirdness has probably gone on here. One white (light) room, one black (dark) room. Both unsettling because the mirrors appear selective as to what gets reflected. Not me. But perhaps that's because I'm not welcome. An Unexpected Guest.

Nothing cloned out of this image. It's exactly as I saw it in front of me. Just the usual things - some exposure fusion, contrast, levels etc.