Wrapped... ladies adorn Washington DC museum

Draw the Curtain comprises several anonymous faces partially hidden by draped curtains, gazing directly at the viewer no matter their vantage point around the building. Known for his unique visual language that simultaneously celebrates and challenges conventions of representational painting, Party steeps this work in art-historical technique and symbolism. The featured portraits, painted in black and white, are based on classical sculpture, while the curtains, painted in shades of green, blue, yellow, and red, are sampled mostly from 17th-century Dutch paintings. Painted in the tradition of trompe l’oeil, the work addresses themes of dupery and illusion and conjures a scenographic set. It invites passersby to peek backstage behind the “curtain” on the National Mall and examine both the collections housed within the Smithsonian and the contents of the distinctive government buildings dotting the surrounding landscape. Draw the Curtain reminds the viewer of the opacity of these spaces, while inviting them to consider what lies behind the façades of the buildings in the nation’s capital.