Pentax Original (AP)

Black Countryman's blip of the 15th brought back fond memories when he mentioned that he was still looking for the elusive Pentax Spotmatic.

In 1966 J was in the enviable position to get hold of a Pentax Original, secondhand, but in excellent condition. It was used for many years until the digital era arrived and so slowly found a resting place at the bottom of the old camera bag.
Currently in need of a good service, it is still in fine condition, and it still has that lovely sound? when pressing the shutter!

From the net, the following excerpt gives a good description of the Pentax Original:



Pentax Original

Pentax Collecting is just starting to come into its own. Like most collectibles, the earlier the better. In 1957 Asahi introduced their newest SLR, the "Pentax." It was Asahi's first camera with a built in Pentaprism and only the second pentaprism Japanese SLR ever -- after the Miranda Orion. Pentax expert Fred Sherfy estimates in his book "Asahiflex and the Pre-1959 Asahi Pentax Cameras" about 19,600 Pentax Originals were produced -- or a production a few thousand less than the rare and highly sought after Nikon SP.

The original Pentax was one of the rare pivotal designs which influenced millions of 35 SLRs. To appreciate the Pentax, you have to look at the Pentax predecessors. Before the Pentax standard 35 SLR practice to have slow working knob winds and knob rewinds, the sole exception being the Exakta with a LEFT hand lever advance. You took the picture and the finder was dark, not brightening up again until you advanced the film which also lowered the mirror once again -- the exception being thePentax older brother, the Asahiflex. The beauty of the original Pentax design was putting together so many desirable features for the first time, into a small well made SLR. It was a landmark camera that became so successful Asahi changed its name to Pentax! Millions of 35 SLRs would follow the general layout trail-blazed with the original Pentax, also marked by the American department store Sears as the Tower 26. Features included:

· Eyelevel Pentaprism focusing with bright for its time focusing screen

· Instant return mirror -- at the time an Asahi exclusive which was invented on the previous Asahiflex IIb

· Quiet shutter, even with the instant return mirror

· Small size, lightweight, and aesthetically sleek lines



· Shutter speeds from 1 to 1/500th, with a rotating high speed dial from 1/500th to 1/50th and a separate low speed dial from 1/25 to 1 second.

· Far right top mounted lever advance. This was actually a first in 35 SLR design. Previous cameras had used knob advances, while the Exakta had long used a left handed advance lever. The film advance and shutter release are very smooth, helping to start the Pentax reputation for high precision and quality workmanship.

· The film counter on the advance lever was manually set, the photog had to set it to one each roll, or not know where there were on the roll.

· Separate high and low shutter speed dials (1/500 - 1/50 plus B and X, and 1/25th to 1, plus T). Setting the high speeds requires lifting up the dial and rotating it to align with the center post. The high speed dial rotates during all exposures, even the slow speeds, so those with big fingers can get uneven exposures by touching the high speed dial during exposures.

· 42mm thread mount which later became known as the Pentax or universal screw mount. It wasn't really the Pentaxmount though, since the 42mm screw mount was introduced on the East German Contax S in 1949. An adapter allowed the use of Asahiflex screw mount lenses on the Pentax' larger screw mount. The underneath of the focusing screen shows the large ground glass center spot surrounded by visible fresnell rings. Separate X and M sync terminals are visible in the lower right of the pic.



· Easy film loading with hinged back, lift up latch on end of back door.

· Pre-set diaphragm: Notice TWO aperture rings on the 58/2.4 Takumar lens. The click stopped outer ring is used to pre-set the shooting aperture. The knurled, easily turning inner aperture ring quickly stops down the lens just before shooting, and opens the lens back up again to full aperture for bright viewing. That's right, the photog had to manually open and close the lens. The original normal lenses were the 58/2.4, 58/2, and 55/2.2 Takumars, all pre-set. In my experience at least, most of these original lenses were replaced with later Takumars, so the pre-set original lenses are hard to find.



· The original Pentax used what became the ever popular bottom rewind button

· Tripod center of baseplate -- not at one end like the Leica



· Far left top mounted lever rewind. A first in 35 SLR design. Previous 35 SLRs had knob rewinds.

· Interestingly, the original Pentax used a ASA reminder dial around the rewind lever--even though there was no built in meter. This later became standard once meters were built in.

· The original Pentax established a new high mark of Asahi craftsmanship, recognizable by the fine fit and finish and the smooth film advance.

· The original Pentax established a tradition of offering a very well made camera for a medium price.

"Pentax" by way of Germany. Many people call 42mm screw mount lenses "Pentax Screw Mount" due to Pentaxpopularizing the 42mm screw mount. However, the first camera to use it was the East German Zeiss Contax S in 1949. Some believe the camera was designed before WWII interrupted production. Even the Pentax name was originally German. According to a book by Alexander Schultz called "Contax S, A History of the World's first 35mm Prism SLR Camera, Asahi bought the trademarked "Pentax" name from the East German camera manufacturer VEB Zeiss Ikon in Dresden about 1954. Looking backwards, it was not one of VEB's best decisions. Apparently Pentax originally derived from PENTaprismand contAX, before the East Germans lost the court battle with West German Zeiss to use the Contax name world wide.